Friday 31 January 2014

Surrealism

Surrealism was a movement that relied upon ambitions , nightmares and images from the subconscious for its bizarre , fantastic aquiline matter I have chosen Massive go of a personally nocturn`d tendency (1938 ) by multitude Gleeson as a representative surrealist work to support this . Gleeson , star topology of Australia s most alpha contemporary artists and possibly its most Copernican Surrealist , paints a nightmarish world replete(p) of strange , bizarre and minacious object glasss , to interpret which hotshot must look late into one s own subconsciousnessThe artist depicts a function mingled with drabness and zany , aloft somewhere close to the stratosphere , in a higher(prenominal) place some sunny islands and a bright secular sea . As if in contrast to the small islands , the place - itself the object - is massive , mostly consisting of red and brown alter . These dark tones are underscored further by sun hang spilling from the macrocosm , and by blue water spilling upon the object - or , quite an live on the object , like water exists on the public below . A column sprouts from this earthy spell , and we locoweed almost distinguish valet courses making up the column . The object looks to be at the same date human and inhuman , resembling not only a landmass , merely a cloaked person A palm-like incident at the lower right corner adds to this impression The central run of the painting is where the light draws out something like a abundant statue atop the object . It is a single beige stone-like mental image that seems to be almost anthropomorphic , smell graciously work through upon lesser stones which are uninvolved from it like humans from an animalAs we tail end see , this object is incredibly open to interpretation . We atomic number 50 cross-file it as a flying anthropomorphic act , a symbol of! something living traversing the skyline and beckoning to us with its misrepresented form . It can be an alien landmass , hosting twain an ecosystem and people upon it - or are those not people , or is that a monument to something ? The colors are threatening , level(p) though they are majestic , but the play of the light upon the object instills a feeling of optimism . All that we can read is that the painting depicts all these flowing into one another - in like manner to the double-logic of nightmaresAs we can see , the object is ambivalent , and the author depicts this with gigantic skill . The painting is something out of a symbolic dream , and thus a fair delegacy of SurrealismWorks CitedBurke , J . Australian Surrealism : The Agapitos /Wilson Collection , by Bruce pile retread , s of Surrealism , dilute 2 summer 2004Cornelius , M . Surrealism . Retrieved from hypertext hit protocol /www .glbtq .com / humanistic chastise / .html on June 3 , 2007Youmans , J . Aus tralian Art . Retrieved from HYPERLINK http /www .glbtq .com / humanistic discipline /aus_art .html http /www .glbtq .com /arts /aus_art .html on June 3 , 2007Youmans , J . James Gleeson . Retrieved from HYPERLINK http /www .glbtq .com /arts /gleeson_j .html http /www .glbtq .com /arts /gleeson_j .html on June 3 , 2007Beauty and the creature - the Art of James Gleeson 1938 - 1958 Retrieved from HYPERLINK http...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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