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Introduction
Aristotle was a Greek philosopher who lived from 384 BC - 322 BC. The ideas of this great philosopher still outlive and are still studied. Aristotle was Platos famous pupil and he refused to accept some of Platos ideas. In his Poetics he shows his take ideas about poetry, tragedy, comedy and epic. His analysis is the core of his argument and the holograph is either class notes written by Aristotle himself, or by one of his students. (Abdulla 47) Therefore, the book can also be regarded as Aristotles answer to Platos derogatory view of art. This move will explain in brief what the main give aways, coterie by Aristotle in his Poetics, are.
Imitation
At the beginning of the Poetics, Aristotle notes that epic poetry, tragedy, comedy, dithyrambic poetry, and most forms of flute and lyre playing all happen to be, in general, fictitiouss (Bressler 23) So, in this aspect Aristotle agrees with his tutor Plato; that every art is an impersonation but he has his own original view on the term because according to Plato, art and poetry are except imitations of imitations and thus thrice removed from reality, while Aristotle argued that every imitation differs in the medium, object, and manner of imitation; the painter uses colors and the poet uses words.
He also believed that imitation is an instinct of our nature, it is inborn in us and we find pleasure in things imitated. Therefore, in Aristotles view, not all imitations by poets are the same because writers of greater self-worth imitated the noble actions of noble heroes; the slight dignified sort of writers imitated the actions of lacking(p) men. (Bressler 24) and if by imitation he meant the imitation of men in action then by this quote we know that with the writers of greater dignity he means writers that write tragedy and the less dignified sort of writers are comedy writers.
Tragedy
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